MARGARET QUALLEY THE SUBSTANCE (2024)

In Coralie Fargeat's new feminist terror flick The Substance, dangerous societal beauty standards are the genuine monsters. They (female objectification, the disposal of "the outdated," the proliferation of a sector improved body system customization) feed a monster of a pattern that leads Demi Moore's fading TV individual character Elisabeth Glimm

“In the 70s, there was far more innocence. It had been about private identity, it wasn’t pretty much revenue”: how Blondie’s Debbie Harry went from punk icon to rock survivor“You know, we ended up flirting And that i don’t imply to indicate that he was some sort of predator or something like that."Vivian remains to be battling most canc